Imps
The Faraway TreeImps are the enchanter’s small servant-creatures in the Land of Spells, and their decisive narrative function is practical rather than ornamental: they turn the enchanter’s accusation into immediate physical control. When the enchanter sees the visitors in his cellar, he calls them robbers and orders his servants to capture them because he believes they have been after his gold. The imps answer that command as a group, rushing down the cellar steps and carrying the threatened punishment out.
Identity and Setting
The imps appear in a clearly subordinate position within the enchanter’s household. They are described as small, numerous servants rather than as individually named personalities, and their identity is established through their collective movement and obedience. About a dozen of them come running into the cellar after the enchanter commands that the supposed robbers be captured and tied up. Their small size contrasts with the high-ceilinged, sunlit room into which they later pull the prisoners, but their numbers give them enough force to control everyone together.
Their entrance also confirms that the visitors are still in the Land of Spells. Moon-Face recognizes the pointed-hatted man above the cellar as an enchanter and reacts with fear, while the imps make the threat tangible by descending into the enclosed space. They are therefore part of the land’s magical social order: the enchanter supplies the command, and the imps supply the labor that makes his authority effective.
Capture of the Intruders
The imps’ central recorded action begins after the enchanter has accused the group of theft. Dick protests that they do not want the enchanter’s gold and had only wanted to discover what was inside the sacks, but the enchanter refuses to believe him. The imps do not investigate the accusation or distinguish between the visitors; they act on the command to seize them. Their role is enforcement, not judgment.
They pull everyone up the cellar steps into a large room and prepare to tie them up at the enchanter’s direction. This movement changes the situation from a mysterious inspection of sacks into an imprisonment. The imps’ physical work is especially important because it defeats the group through collective strength and organization rather than through an individually described spell. The prisoners are moved from the cellar, where they had been exploring, into the enchanter’s controlled interior space, where binding is about to take place.
Collective Power and Limits
The imps are powerful when they operate as a disciplined household force, but the evidence gives them no independent speech, personal motive, or authority of their own. Their repeated description as servants places them beneath the enchanter in the chain of command. They embody delegated power: the enchanter’s suspicion becomes dangerous because a dozen small creatures immediately convert words into action.
At the same time, the scene shows the limits of that delegated role. The imps can seize and pull the visitors, but the available evidence does not present them as the source of the conflict or as the designers of the enchanter’s deception. The decisive counter-move comes from Moon-Face, who breaks the string tying a kettle to Saucepan and approaches the enchanter fearlessly. He claims to be an enchanter as well and threatens to put the enchanter into the kettle with Mr. Change-About. The imps have created the immediate danger, yet the confrontation’s direction is redirected by a bluff from one of their captives.
Narrative Function
The imps help give the Land of Spells its rapid, comic-adventure rhythm. A misunderstanding produces an accusation; the accusation summons servants; the servants produce captivity; and captivity is answered by an improvised magical counterclaim. Because the imps arrive in a dozen-strong group, they make the danger feel sudden and practical without requiring the narrative to individualize every pursuer.
Their presence also sharpens the contrast between command and responsibility. The enchanter loudly names the visitors as robbers and orders their restraint, while the imps perform the order without any recorded proof that the accusation is true. In structural terms, they are immediate opponents and instruments of confinement, but not the ultimate source of the mistaken judgment. Their contribution is the force that closes the trap, allowing Moon-Face’s daring intervention to matter.
The imps are consequently memorable as a collective image of magical servitude. They descend together, seize the visitors, and haul them into a room prepared for binding; through those coordinated actions, the invisible authority of the enchanter becomes visible and bodily. Their lack of individual identity is itself significant: they function as a compact extension of another character’s will, a group whose numbers and obedience briefly make escape seem impossible.
